HPB 2006 Information
Kathrin Biffi (Switzerland) Marian Bijlenga (the Netherlands) Valerie Buess (Germany) Beate Dyck (Germany) Carol Farrow (England) Toshihiro Hattori (Japan) Martine Horstman (the Netherlands) Michael Felix Langer (Germany) Chunghie Lee (Korea) Couzijn van Leeuwen (the Netherlands)
Alexander Lidagowski (Ukraine) Vibeke Lindhardt (Denmark) Shula Litan (Israel) Steve Litsios (Switzerland) Roberto Mannino (Italy) Ruth Moro (Switzerland) Jacqueline Santing (the Netherlands) Bunny Soeters (the Netherlands) Fusako Tsuzuki (Japan) Jan Eric Visser (the Netherlands)

Martine Horstman

The starting-point for her visual work is to make a strong, movable and challenging construction with paper. Horstman worked with paper in a previous project and discovered a number of characteristics of paper. She started experimenting with different constructions and techniques of paper processing. The paper should have a certain strength and stiffness to achieve the desired effect. Her choice for Boomerang cards emanates from this. The postcards, available in cafés, cinemas and schools, have the right thickness of paper for a strong construction. Cutting the cards and folding them in a harmonica shape creates spaces between the cards. Martine Horstman’s objects can be interpreted in several ways. They can be seen as an autonomous statue or as a piece of jewelry.

Spirally (2002), Material: Boomerang cards.