HPB 2006 Information
Kathrin Biffi (Switzerland) Marian Bijlenga (the Netherlands) Valerie Buess (Germany) Beate Dyck (Germany) Carol Farrow (England) Toshihiro Hattori (Japan) Martine Horstman (the Netherlands) Michael Felix Langer (Germany) Chunghie Lee (Korea) Couzijn van Leeuwen (the Netherlands)
Alexander Lidagowski (Ukraine) Vibeke Lindhardt (Denmark) Shula Litan (Israel) Steve Litsios (Switzerland) Roberto Mannino (Italy) Ruth Moro (Switzerland) Jacqueline Santing (the Netherlands) Bunny Soeters (the Netherlands) Fusako Tsuzuki (Japan) Jan Eric Visser (the Netherlands)

Jacqueline Santing

According to Jacqueline Santing paper is the ideal material for making a spatial work that is made up of many layers. Originally she was a painter and in the work Branding (Surf) she still paints by letting the light reflect in a conscious manner. In Branding she initially processed all kinds of paper, but gradually she started concentrating on bugra, ingres (pastel paper made from rags) and kozo (paper with a long fibre). These are tough kinds of paper that give permanence to her three-dimensional works. The permanence is enhanced by a series of layers of paper. The limitation in the choice of materials gives her work a larger uniformity, a smaller range of colours and expression and a smaller framework, within which the nuances tell the proper story.



Branding (Surf) / Field 4 (2002).
Materials: various types of paper, new and used; a lot of bugra, ingres (based on rags) and kozo.